I finally watched Robert Bresson’s Jour­nal d’un curé de cam­pagne and was mar­velled by the edit­ing and light­ing. What I loved most was the use of sound from out­side the screen. Com­bined with the edit­ing, in par­tic­u­lar scenes start­ing at the end of con­ver­sa­tions, it’s a clever and suc­cinct way of sto­ry­telling. I also enjoyed the res­onat­ing power when you track the words writ­ten down in the jour­nal as you hear them spo­ken. The selec­tion of pas­sages extracted from the Georges Bernanos novel were wisely cho­sen, cre­at­ing a mood that was true to the book. Despite its fre­quent praises I avoided this film for some­time because I have never been a fan of Bres­son, unlike most, or of von Trier. Their bias sto­ry­telling and their char­ac­ter manip­u­la­tion irri­tates me. The overt use of char­ac­ter as a vehi­cle of sto­ry­telling, betray­ing their own essence under­mines too great even in the beau­ti­ful mood they set so well on screen.

Journal d'un curé de campagne

This week Antichrist had its gen­eral released and I’m tired of hear­ing about it. It’s shame­ful when pro­fes­sional crit­ics voice the gen­eral con­sen­sus that is so shal­low and mis­lead­ing. Damn it, It was more than misog­yny! What about von Trier’s per­sis­tent fear of men and sci­ence, the excuse man use to play god. Crit­ics are con­tem­po­rary philoso­phers. They have power and the means to estab­lish or sway opin­ions and it makes me mad to hear them speak in bullshit.